Craig Griffith (Director of feature film 'Through The Looking Glass' winner of Best Horror Film at Swansea Film Festival)

‘’I first worked with Tom when he mixed my feature film Through The Looking Glass'...He has brought a sense of professionalism and a keen knowledge of craft to every project he has worked on and does not settle for second best. He is not afraid to experiment and has a knack of always making the sound feel organic, real and a natural part of the project...Tom is easy to work with and always delivers exactly what I want as well as suggesting many ideas the improved the project greatly.’’

Chris Evans on Through The Looking Glass Blog ‘’ The sound mix has seen Re-Recording Mixer Thomas Joyce holed up for the past three months working solidly. Tom's commitment has been inspirational for Director Craig especially given how important the overall sound is to the film. Sound is everything to the film. Without good sound the film wouldn't have the emotional impact it has and wouldn't be anywhere near as scary. Tom has done a fantastic job bringing the film to life and creating a soundtrack based in reality, which works on so many dynamic levels. It really gets in your head and from my point of view absolutely underpins the film with a sense of believability. This really helps to sell the horror when it happens. Tom has without a doubt brought a huge amount to the film.’’

Alex W (Director of Bafta nominated short film 'Ralph' that was also part of BFI Film Festival)

‘’I am an independent filmmaker currently working on a half hour drama for Channel 4. The sound was a complete mess on my film 'Ralph' before Tom saved it. We shot on an intersection between several busy roads and most of the dialogue was inaudible. Tom rescued an enormous amount of the original performances and blended in the ADR seamlessly. On an artistic level Tom created a layered and authentic soundscape, which gave the film an incredible atmosphere. Tom was easy to work with and extremely inventive but most of all, he had a great ear for how to help the story. The film has since been accepted into several festivals including Edinburgh, London, New York and Sao Paulo.’’

Enda Mullen (Editor / Producer of BBC's 'Imagine' series)

‘’Having worked with Tom on the flagship BBC Arts programme 'Imagine', I can't believe anyone else could have done such a sensitive and dynamic mix. The programme contained concert footage, backstage, obs doc, interviews and archive - all of which Tom treated superbly. He was able to take direction as well as adding his own ideas (all of which we used). Able to work on his own as well as with all of our team, Tom did an amazing job, and I know everyone at the BBC agreed.’’

Mark Hawtin (Director of short film 'Nightshift')

‘’Over the past two years, I have had the pleasure of working with Tom on both documentary and drama work. Toms creativity and proactive attitude makes him top of my list of sound designers in London. He is creative, imaginative, speedy and personable - all of the essential ingredients of first class colleague.’’

‘’...You’ve delivered a wonderful, gripping, and technically sound product, and met the deadline. You've proven to me that you're unquestionably reliable, and maintained absolute attention to detail...I wanted you to know that I believe you're one of the best dubbing mixers in Soho, and you have my unconditional support in any of your future endeavours...’’ via email

Bee Devine (Studio Manager at Princess Prodcutions)

“Tom is a brilliant dubbing-mixer and I could recommend him with great confidence. He is very dedicated and hard working. He has a very professional, calm, can-do attitude and is very good at what he does. It was a pleasure having Tom as a part of our team at Princess.”

Tim Veglio (Creative Director at On Demand Group)

“As well as being a fantastic Dubbing Mixer, Tom has produced some superlative sound design work for me. He is reliable, personable and capable of dealing with extremely high work loads in a professional and effective manner.”